Category Archives: Abstracts & Papers.

This category contains abstracts and attached papers classified according to their topic.

“The visualization of anger in comics” (2012). Charles Forceville

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The visualization of anger in comics. February 10, 2012. “Ensuring readers’/viewers’ continued interest in a story requires that they are aware of the goals of one or more protagonists, and make an emotional investment in their success or failure; we … Continue reading

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ACHIEVING A GOAL IS MAKING A JOURNEY: the Source-Path-Goal schema in videogames.

Abstract. Roelf Kromhout (kromhout@gmail.com) A persistent issue in video game research is the debate between “ludologists” and “narratologists.” Frasca (2003) rightly argued that many of the disagreements and indeed the actual existence of the debate are a result of a … Continue reading

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Interplay of overt and hidden messages in Dutch television news

Research proposal Karen Van Stapele. By textually dissecting a body of Dutch television news programs, this research project seeks to lay bare various levels in which news messages are being conveyed simultaneously and successively; thus contextualizing one another and therefore … Continue reading

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Forceville, Charles (2013). “Creative visual variation in comics balloons.”

“Creative visual variation in comics balloons.” In:  Tony Veale, Kurt Feyaerts, Charles Forceville (eds). Creativity and the Agile Mind: A Multi-disciplinary Exploration of a Multi-Faceted Phenomenon [book proposal submitted]. Abstract: Creativity appears to result from unexpectedly combining two or more … Continue reading

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Forceville, Charles, and Marloes Jeulink (2011). “The flesh and blood of embodied understanding: The source-path-goal schema in animation film.”

(2011). “’The flesh and blood of embodied understanding’: The source-path-goal schema in animation film.” Pragmatics & Cognition 19(1): 37-59. DOI 10.1075/pc19.1.02for Abstract: According to Conceptual Metaphor Theory (CMT), the Source-Path-Goal (SPG) schema constitutes a central concept in cognition. Apart from … Continue reading

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Abbott, Michael, and Charles Forceville (2011). “Visual representations of emotion in manga: loss of control is loss of hands in Azumanga Daioh volume 4.”

(2011). “Visual representations of emotion in manga: loss of control is loss of hands in Azumanga Daioh volume 4.” Language and Literature 20(2): 91-112. DOI 10.1177/096394701 1402182 Abstract: Comics and manga have many ways to convey the expression of emotion, … Continue reading

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Forceville, Charles (2012). “Creativity in pictorial and multimodal advertising metaphors.”

“Creativity in pictorial and multimodal advertising metaphors.” In: Rodney Jones (ed.), Discourse and Creativity (113-132). London: Longman. Abstract: Finding their inspiration in Koestler’s work, Fauconnier and Turner have developed a theory, Blending Theory, which among other things can model ‘emergent … Continue reading

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Forceville, Charles (2011). “The journey metaphor and the Source-Path-Goal schema in Agnès Varda’s autobiographical gleaning documentaries.”

“The journey metaphor and the Source-Path-Goal schema in Agnès Varda’s autobiographical gleaning documentaries.” In: Monika Fludernik (ed.), Beyond Cognitive Metaphor Theory: Perspectives on Literary Metaphor, 281-297. London: Routledge. Abstract: Les glaneurs et la glaneuse (“The Gleaners and I,” Dir. Agnès … Continue reading

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Bounegru, Liliana, and Charles Forceville (2011). “Metaphors in editorial cartoons representing the global financial crisis.”

“Metaphors in editorial cartoons representing the global financial crisis.” Journal of Visual Communication 10(2): 209 – 229.  DOI 10.1177/1470357211398446 Abstract: In this paper we analyze the metaphors that structure a sample of 22 political cartoons pertaining to the global financial crisis hitting … Continue reading

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Forceville, Charles (2011). “Pictorial runes in Tintin and the Picaros.”

“Pictorial runes in Tintin and the Picaros.” Journal of Pragmatics 43: 875-890. DOI: 10.1016/j.pragma.2010.07.014. Abstract: Speed-lines, movement-lines and emotion-enhancing flourishes (“pictorial runes”) may contribute, marginally or substantially, to the potential meanings to be inferred from a comic’s panel. It seems … Continue reading

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