Applying Theories of Irony to Short Animation Esmeralda Bon (Esmeralda.bon@student.uva.nl) The proposed paper will present an investigation into the presentation of irony in short animations without verbal narration. By applying and, when necessary, extending Sperber and Wilson’s echoic mention theory, … Continue reading
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Recent and forthcoming talks and publications
[Last updated: 11-8-18]
GENERAL INFORMATION
ChF nowadays posts preprints of articles and chapters on Researchgate and on Academia.edu.
Occasionally, news will still be posted here.
ChF still regularly updates the bibliography on this blog/site.
Recent & forthcoming publications:
ChF and Sissy Paling (forthc). “The metaphorical representation of DEPRESSION in short, wordless animation films.” Visual Communication Journal (accepted July 2018).
Stamenković, Dušan, Miloš Tasić, and ChF (2018). “Facial expressions in comics: An empirical consideration of McCloud’s proposal.” Journal of Visual Communication (available online since 9 July 2018). https://doi.org/10.1177/1470357218784075
ChF and Jens E. Kjeldsen (2018). “The affordances and constraints of situation and genre: visual and multimodal rhetoric in unusual traffic signs.” Pragmatic insights for multimodal argumentation issue of International Review of Pragmatics 10(2): 158-178. doi: 10.1163/18773109-01002002
Tseronis, Assimakis, and ChF, eds (2017). Multimodal Argumentation and Rhetoric in Media Genres. Amsterdam: Benjamins.
Tseronis, Assimakis, and ChF (2017). “Introduction: Argumentation and rhetoric in visual and multimodal communication.” In: Tseronis and Forceville (eds), 1-24.
Tseronis, Assimakis, and ChF (2017). “The argumentative relevance of visual and multimodal antithesis in Frederick Wiseman’s documentaries.” In: Tseronis and Forceville (eds), 165-188.
Tseronis, Assimakis, and ChF (2017). “Arguing against corporate claims visually and multimodally: The case of subvertisements.” Multimodal Communication 6(2). DOI: 10.1515/mc-2017-0008.
ChF (2017). “From image schema to metaphor in discourse: The FORCE schemas in animation films.” In: Beate Hampe (ed.), Metaphor: From Embodied Cognition to Discourse (239-256). Cambridge: Cambridge University Press. Doi: 10.1017/1108182324.
Cornevin, Vanessa, and ChF (2017). “From metaphor to allegory: the Japanese manga Afuganisu-tan.” Metaphor and the Social World 7(2): 235-251. DOI: 10.1075/msw.7.2.04cor
ChF (2017). “Interactive documentary and its limited opportunities to persuade.” Discourse, Context & Media 20: 218-226 (guest editors of special issue “Media Evolution and Genre Expectations”: Tuomo Hiippala & Chiao-I Tseng). http://dx.doi.org/10.1016/j.dcm.2017.06.004
ChF (2017). “Visual and multimodal metaphor in advertising: cultural perspectives.” Styles of Communication 9(2): 26-41. (http://stylesofcomm.fjsc.unibuc.ro/)
Under the supervision of ChF, students at Hogeschool voor de Kunsten Utrecht (HKU) are completing the short educational animation “The art of story-telling (part IV): actions & events” in the summer of 2018. Parts I-III can be found on YouTube. For next year, the final part, on narration and focalisation has been planned.
ChF is working on a monograph applying relevance theory to mass-communicative pictures/visuals. Its working title is *Analyzing Visual and Multimodal Mass-Communication: A Pragmatic Model* for Oxford UP. Planned publication in 2019.
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